As a rule, I was not a fan of roguelikes and bullet-hells shooters, well…. I wasn’t until I played Housmarques Returnal back in 2021. They opened my eyes to what great fun they can be, that said nobody else has captured that lightning in a bottle for me since though. Now the game development geniuses from Finland are back with another roguelike shooter, Saros – exclusively on PS5.
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An arcade racer with a modern anime inspired narrative, made by a team with proven chops in racing games….”yes please!” The new Screamers is a unique offering for the arcade racer space, and in the absence of any new Burnouts or Wipeouts for many years, this is a very welcome release for fans of the genre.
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As a long-term Halo and Destiny fan with hundreds, if not thousands of hours stacked up in these Bungie games over the last 20 years. I have found their amazing new game Marathon very challenging game to follow… and now finally review.
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Check out the Samsung Galaxy S25 FE they said, “Sure” I said.
Last year, after several years of happily using an Apple iPhone 11, a family member offered me a Samsung Galaxy S21 that wasn’t working. He told me if I could get it functional again, I could have keep it.
Well, I got it going so have been using it ever since.
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Quarantine Zone: The Last Check, is the gamification of a military checkpoint after a zombie outbreak. Think the FEDRA military checkpoints in the opening hours of The Last of Us, with the gameplay loop of Papers Please.
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Game of the Year-2025 As the year comes to a close, it’s time for us to muse the stand-outs of gaming year just gone.
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Ghost on Yotei is yet another example of why Playstation Studios are the one and true king of the singleplayer console exclusive. Their unwavering support of studios like Sucker Punch, allows for not only some of the most technically impressive games around, but also the most beautiful and engaging.
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Rob Davis sat down with KC’s Gerard Campbell in Auckland, New Zealand, for an interview about building Ghost of Yotei’s world and the pressure of the dreaded “second album”.
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After that Battlefield 6 reveal that took a few people by surprise a couple of months ago, hotly followed by the Beta weekends and an oh-so-short run up to release, here we are.
It may have been a short wait, but it’s been an anxious one, could DICE bring us back to the frontline? Would we be getting a return to form, the opportunity to make a difference in objective centric games and come away from battles with memorable moments again?
In short, the answer to all of the above is Yes.
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Borderlands 4 is a return to form for the franchise, after bit of a miss-step with the design choices in number 3. Borderlands 4 is full-on channelling Borderlands 2 energy, but with a lot more modern refinement to the gameplay loop and endgame.
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Baby Steps is a fantastic example of what Indie Developers can do with their creative freedom. No major publisher would have signed off on this game and its very unique mechanics, which won’t be for everyone, but the fact it has been made is a credit to the indie games scene and cult status is sure to be the result.
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