Tetris, one of those game history icons. Sonic, Lara, Pac-Man, Space Invaders and Tetris. There are some games even the oldies will know of, it was twenty eight years ago that I first found joy in stacking Tetrominoes, Christmas of 1990 was spent with a weighty original Gameboy in my hands and the incessant tinkling of Tetris blocks dropping into place rattling through my ears.
It’s 2018 now and Tetris just about took the world by storm again.
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Creed PSVR is in familiar territory, but stands on its own two feet in the centre of its ring. Giving you the gloves of Adonis Creed the game lets you experience a ‘Rise to Glory’ from training through to a number of increasingly difficult bouts, eventuating in becoming the Super World Supreme Champion of the Galaxy as all American boxers are wont to do.
Creed does not disappoint, the suspension of disbelief that the PSVR delivers is terrific from the first moments in the gym where you experience training in the form of punching mini games through to a nervy first bought, feeling like a rabbit sat in the middle of a busy road.
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Waaaaay back in 2016 as part of the PSVRs launch, there was a little demo about a little robot. He was cute, funny and great fun to play with. But the demo was painfully short and the cries from the burgeoning PSVR audience for a full blown Astro Bot game, were loud and clear.
Well Sony listened, and in conjunction with Japan Studios, they have created one of the best platforming experiences I have personally played in decades.
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Okay, it’s not a game.
SculptrVR is something I have seen in other platforms in similar guises and has been something of a surprise for me.
I have to admit, I know little to nothing about Voxel graphics, but I do consider myself somewhat artistic. Neither of these things helped me while I was plugged in to SculptrVR, my artistic confidence went missing as soon as I realised the scope of what was on offer and my puny human brain couldn’t quite capture the grandness of what I could achieve with 3D Voxel modelling.
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A decent FPS is the Holy Grail of PSVR gaming, was pretty much the sentiment of our Farpoint Review a whole fourteen months ago, since then there have been plenty of reasons to argue against that statement. Moss and its isometric take, Star Trek, being basically my little boy dream and games like The Inpatient lifting the genre.
That’s all set to change, Firewall has arrived and it falls neatly into the unoccupied space of an online team based shooter that can hold its own against Rainbow Six.
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Sorry for the gap between posts Team KC, but I have a goodie for you this time, especially for you Playstation Gamers out there.
THIS WEEK it’s Sacred Symbols: A Playstation Podcast from gaming media veteran Colin Moriarty. Right or Left Politics and online controversy stuff aside, Colin is still one of the great deep thinkers in Video Games and it is a pleasure to have him back sharing his thoughts about all things Playstation.
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There’s no point beating around the bush, Moss should be a PSVR system seller.
On the face of it the game could be discarded as a simplified platformer about a cute mouse – on the face of it.
But and this really is a big but, slipping on the PSVR Headset and finding yourself drawn into the world of Moss and its protagonist Quill makes something magical happen.
You are there, in the world standing over this magical kingdom and feeling more a part of the environment than you ever have before.
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There has been a steady stream of PSVR games supporting the platform over the last year and The Inpatient from
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Skyrim never dies, having graced the PS4 already in HD goodness its back and in a VR wrapped package of
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Superhot is the super stylish, super interesting, super puzzle shooter that has been a round for a while on PC
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